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Affichage des articles dont le libellé est Havnefronten. Afficher tous les articles

25 août 2010

August i Amalienhave

Amalienhave
Location: Frederiksstaden i København centrum,
på den famøse akse Marmor kirken-Amalienborg-Amalienhaven-Operaen
Tegnet af Jean Delognes, belgisk landskabsarkitekt
Indviet i 1979

Min far var på besøg i København. Mandag aften gik vi op af Langelinie og et smut igennem Amaliehaven - et af min fars favorit punkter på turen. Mand må sige at haven er jo planlagt af en Belgisk landskabsarkitekt. Oprindelig troede jeg det var Pechère men det er faktisk Jean Delognes som står bag det grønne og kanted byrum.

I hvertfald er der noget af den belgisk tradition for have- og landskabskunst som er tydlig: et arbejd på den grønne farve skala og en diskret nuancering i funktionerne der skal integreres i en urban have, altså intime nicher, større vandringsalléer, perspektiver og iagttagelsesperioder.

Jeg har ofte nævnt over for venner problemet med haven: for lidt lys om aften som giver utryghed i et offenligt rum (hvor tryghed er det vigtigste for at drage brugerne til sig på alle tidspunkter af dagen), en orientation som ikke stemmer med den eftersøgt og eftertragted udsigt mod havnen og en kostbar velligeholdelse af de geometriske buskater.

Pussigt nok, havde min far fået fat i en artikel i Københavneravisen som rammer lige på pletten og byder på forslag til en let forandring i fremtiden, i håb om at dette ville traffe brugernes -Københavnerne som turisterne- behov og ønsker til den have. Og måske tæmme polemiken rundt om den belgiske have ved at rette dens træk til noget byens beboer kan identifiere sig med...

Her er artiklen.


Du kan også læse om det på
www.koebenhavneravisen.dkpdf/2010/KBHAVISEN_AUG2010_7.pdf

6 juin 2010

Before Saterday's night fever...


Again a sunny day in the Danish capital city...I ride my bike into town to sense the atmosphere and enjoy some of the summer activities.

5 juin 2010

A summer night's dream...?


Kvæstbroen, the dike next to the Skuespilhuset, was supposed to be a parking place. Fortunatelly it isn't. But it is a great activity nerve at summer! The concrete dike is transformed into sand beach and grass fields where you can play volley ball, soccer or just sit on the surrounding benches and enjoy the most beautiful sight of Copenhagen harbour.

Welcome to Ofelia Beach


Again it is something about places which were empty at some point but by their seasonal revival contributes to the city's identity map. Suddenly the Opera house seems closer and the old warehouses too.


Biking hom from the theater, passing by Kastellet and swifting along Langelinie and Svanemøllen strand. Lights and sound from the leisure harbour and from the café on Refshaløen gives the rythm and atmosphere to my route.

Rødt og grønt - Red and green

Skuespilhuset - Det Kongelig Teater - and Kvæstbroen

Location: København centrum, ved havnefronten
Tegnet af Lundgaard & Tranberg
International arkitektkonkurrence udskrevet af Kulturministeriet i 2001


One of my favourite occupation in Copenhagen, why? Go there, and you'll know...Interesting, interrogating and exciting plays with quality actors in spaces and rooms challenging the eyes and satisfying the senses.


This time the play, Rødt og grønt, questions the public on the social work in developping countries: how do the "helping immigrants" live, how do they act, how do they consider themselves and the people around them, what is their purpose? Compassion or ego-building? What kind of fake world in between home and abroad have they created in order to survive and get the impression of doing something meaningful in this world? It is more a critical parody on a trend existing some decennies ago but still what do we actually know about those people we send to attend to others? What gives us the impression we need to help and interfere, what gives us the right, and especially who? How far can we go before it is affecting someone else's vital rights?

From laughter to some kind of unpleasant feeling of blasphemy, this piece was greatly produced, everything laying in subtilities and details.


The friendly evening temperature allowed to enjoy the leasure installations on Kvæstbroen, in front of the theater.


See also post from the 27th April 2010

23 mai 2010

Guided tour on the marathon...keeping sporty!

Kalvebod brygge and the Metropolzone
Guided tour organised by DAC and cphx.dk

A bit of a surprise when I ran into runners of the Nycredit Copenhagen Marathon this morning. But finally after some slalom between the streets, the runners and the many spectators I got to Søren Kierkegaards plads for the start of the tour. What I didn't imagine was that actually the marathon would follow us during the whole tour or was it us following them...Anyway, the contrast from last week's tour was drastic! So few users on the watersides last week, and a crowd - ca. 12000 runners and probably as many spectators - today!

Brave and courageous we were and especially our guide who had to manage somehow to talk over the cheering fans, the police's little ochestra playing "Under the sea" from Disney's Little mermaid and the sonorous horns and whistles of some enthusiasts.

So, starting at the edge of the Metropolzone, at Søren Kierkegaards plads, our guide presents the projects of the Black Diamond (Schmidt Hammer Lassen) and the Museum for Jewish History (Daniel Libeskind) with a reflexion on the squares at the feet of the two buildings: what are their function? How are they used? Are they used? What weakenesses do they present? The last questions here are especially relevant for the hollow space that Schmidt Hammer Lassen designed out in front of the library. Close to the building, the space is well used thanks to the café who develops its terrasse close to the water. But the rest is a huge empty space for bike-parking and well, it isn't really defined. Like if it wasn't really finished.

But hopefully this will change with the new building on the Bryghusgrunden, the Brewhous ground, (Rem Koolhaas - OMA) and the square would be activated by both sides. Also, Gehl architects are investigating and working on the square. They are architects but consider themselves most as urban planners and urban quality consultants. Read the famous Life between buildings by Jan Gehl and you will understand why: this is THE reference in terms of urban space and creating urbanity.

The Bryghus project is for the moment being validaded. If everything goes well the building process should start in 2011...The project is huge: a combination of offices, housing, cultural institutions, conference center, public spaces and exhibitions, urban promenade, squares and play-grounds etc. Very exciting in terms of life and flows generated and intertwining on the site.

Next stop is the Nycredit Glaskuben building and the Crystal (both by Schmidt Hammer Lassen). It must be the third or fourth time I am told about the Crystal and if I hadn't checked it out in a guide or on the architects'website, I would be able to define its function: extension to the Nycredit bank head-quarters. It seems that the most important here is the "crystal" allegory, the twisted structure touching the ground in three points and allowing public flow to pass under the building. The liberated ground will receive the Cloud landscape project (SLA, who has recently received one of the most reknow prices in the Danish architectural world): focus has been set on the different type of streams on the site, rushing businessmen, wondering tourists, Sunday walkers, bikes... each moving at their speed on their path.
All those projects are situated only 10 minutes walk from the City Hall, Rådhuspladsen and the central station. But too few notice it. Therefore the City is aiming to develop access to the waterfront, to the cultural buildings - e.g. by creating a cultural axe - and connecting the wity centre with the new dynamics happening on the watersides, as they are developping the Metropolzone.

Kalvebod brygge, which is the name of the city part we are exploring, is about to host the Kalvebod bølge project (Julien de Smedt), in a year or so. The purpose here is to create activation/activity sites in the city and on the water. In a mainly business dedicaded area, where quite some projects have risen without a logic and harmony to their context, those interventions mean to saw together the parts, and provide the area with a regained urban quality.

We arrive slowly to the end of the tour with the SEB bank building, designed by Lundgaard & Tranberg. True to their reputation, the detailling is as beautiful as the buildings plasticity! In fact, it appears through my observations that the plasticity can only be right when the detailling is right. Lundgaard & Tranberg are the perfect example for that!

Here, between the two buildings starts also a green corridor leading down to Dybbelsbro (well, it should lead further down, in to the big DSB railway ground but no concrete plan or initiative exists yet). This green path extends from the "blue one", the main canal and waterfront. They profit from each other and should work together to bring life and quality to Kalvebod. The green path will be a part of the new green biking paths passing through the city. If I am right, the landscape architects from SLA work on this project too.

The green corridor develops up to 7 meters height, corresponding to the second floor of the SEB complex. It works as the foyer for the two buildings, as a green lung for the city and as a roof for the new part of the national archive, Rigsarkivet. More of Rigsarkivet can be seen behind the SEB buildings. A huge monolith block without windows, protecting and keeping a national treasure and heritage and the scientists and searchers working on it. The only expression outwards is the brick wall, which paterns apparently are extracted from the very first writings found in Denmark, zoomed up and applied into the facade's plasticity.

Finally we arrive at the Wake Up Hotel and Tivoli Congress Center (both by Kim Utzon). This last building is also the ending of the green floating gardens.

It was interesting to see and get some more details about a part of the city we already had a sneak-peak at last week tour, discovering more of the considerations behind the architecture and plans along the waterside. Copenhagen is really growing constantly. It is really good to see that the growth also is within the city borders, not expanding out on nature and agriculture landscapes, but working on the inner spaces and holes, getting more dense, more alive, and thereby also more sustainable.

I hope to be able to get to the next tour: a bike tour through Amager. We'll be seeing the neighbourhood development at Holmbladgade and Prags Boulevard, as well as biking down the whole Amager Strand Park.

20 mai 2010

Aftenstemning i Nordhavnen


Man ville ønske at se lige så meget i den indrehavn so her: aktivitet på vandet, unge ved kajen, mennesker på promenaden. Vejret har nok også sin del i billed...

7 mai 2010

Design and architecture at Pakhus48

Forårsevent - Designzone Pakhus48
Invited speakers Ole Gustavsen and Alfredo Häberli

Pakhus48 is situated in Frihavnen, in the north harbour of Copenhagen. It lies in a rough industrial-looking context with immediate views on the waters of Øresundet. Pakhus48 shelters design firms such as Montana, Luce Plan, Fritz Hansen, Kvadrat, Jørgensen, Vola. They stand for some of the finest interior designs and solutions and have been collaborating with great names from the designer world in order to produce and promote esthetic lines and functional products.The Spring Event I attended yesterday was as fine and glamourous as the products exposed there. But most of all, I had the chance to assist presentations by Ole Gustavsen, architect from Snöhetta and Alfredo Häberli, Swiss designer. They represent different scales of the design world but with the same attention for use, clear logic and high quality.

Ole showed us some of the architecture projects Snöhetta did/is doing in the Muslim world. It was amazingly interesting : the excitment but also the challenge it must be to produce a shelter for a community, citizens of a culture where heat and shade, climate, religion, topography, traditions and habits are so different from what we are used to in Europe. By the way, it seems that Scandinavian architects are quite often acting in the southern architectural world and are quite good at it - often those buildings are landmarks to the country and references to the architectural world. Take for instance, Jørn Utzon's National assembly in Kowait city, Henning Larsen's work in Saudi Arabia, Snöhetta's library of Alexandria.

Huge projects. Huge work. Impressive presentation skills. I would give anything to get into that team...

Alfredo started by expressing that he felt as a student to present his work after those projects of several hundred thousands square meters. He showed us his work and inspirations in a very humble and humoristic way. Humor, th key to great design? Well, as long as the final product shows line cleverness, material sensibility, quality awareness and good understanding of the use we make of our environment. That is at least what Alfredo reveals. Fascinating and great.

The rest of the evening was just agreable: beautiful lines, forms, colours, simple and clean solutions...A joy to the eye and the hand. The whole thing in wonderful warehouse settings. In some way it had the same atmosphere as NDS in Amsterdam - the difference is that here we are exhibiting the production of artistic and creative disciplines.